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Bora Aksu has become synonymous for its uber feminine take on womenswear, at points bordering on costume – representing a fairy-tale image of fashion. However, this season they presented something much different. Drawing inspiration from the Swedish Abstract Artist; Hilma Af Klint, the designs were far more wearable than previous collections.

Despite the notable change, the Turkish designer stayed true to his brand, the final product was a collection that was beautifully feminine, elegant and powerful. 1970s silhouettes dominated, with check tweed, outerwear, and suits, giving the collection a sartorial feel at points. The brands traditional frills were displayed in a final flurry of colourful looks, notably done in a way that complimented everything else on display.

Perhaps the choice of location played a role in a more conservative collection. The brand chose to show at St. Georges Church in Bloomsbury, a beautiful location that had all the classic architecture that seemed to fit perfectly with the clothes on display. Had they gone down the fairy-tale route, I feel like the location and the clothes would have clashed more than anything.

If this is the start of a new journey for the brand – where inspiration meets wear ability – then I’ll be very excited. However, I feel the next collection will be met with the over excessiveness of seasons past. I guess we will cross that bridge when we get there, until then, the brand should celebrate a truly beautiful season.

See the full collection imagery below courtesy of ©, and for more LFW coverage, stay tuned on our websitesubscribe to our weekly news roundup, and make sure you check out our upcoming Issue 10 out in March which will include a full LFW AW20 roundup by our Editor In Chief, Aaron Mark.

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